The Technique of Film and Video Editing, Fifth Edition: History, Theory, and Practice

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The Technique of Film and Video Editing History, Theory, and Practice

View all Sell Prices being offered by Retailer. Back to top. Details about The Technique of Film and Video Editing: History, Theory, and Practice: The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Need Performing Arts tutors? Start your search below:. Written by filmmakers for filmmakers, this essential text now includes the latest information on digital age filmmaking, where the shifting boundaries between film, video, and computer systems have introduced a wide range of methods and equipment every filmmaker must master to be competitive.

This comprehensive reference guide addresses the techniques necessary to make feature, documentary, industrial, and experimental films while detailing the possibilities and limitations of various formats. New chapters spotlight video camera and video editing, essential information for modern film students and makers who focus on video production exclusively. According to David Mamet, a film director must, above all things, think visually. Most of this instructive and funny book is written in dialogue form and based on film classes Mamet taught at Columbia University.

He encourages his students to tell their stories not with words, but through the juxtaposition of uninflected images. The best films, Mamet argues, are composed of simple shots. The great filmmaker understands that the burden of cinematic storytelling lies less in the individual shot than in the collective meaning that shots convey when they are edited together. Mamet borrows many of his ideas about directing, writing, and acting from Russian masters such as Konstantin Stanislavsky, Sergei M.

Eisenstein, and Vsevelod Pudovkin, but he presents his material in so delightful and lively a fashion that he revitalizes it for the contemporary reader. Starting with what might be the most basic editing question — Why do cuts work? Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more.

Next Post Ranking Author Dr. Facebook Twitter Instagram Pinterest. Titles Appear On 2 List Each. Cinematic Storytelling. Jennifer Van Sijll. Documentary Storytelling: Creative Nonfiction on Screen. Sheila Curran Bernard. Documentary Cameras. Film Art: An Introduction. David Bordwell and Kristin Thompson. Film Craft: Editing. Amy Clarke Films. How To Film School. Indie Film Hustle. I Lost It At the Movies. Patti Bellantoni. Notes on the Cinematographer. Lights Film School. Produce Your Own Damn Movie.

The Hero With a Thousand Faces. The World Viewed. This Is Orson Welles. Camille Landau and Tiare White. A Biographical Dictionary of Film. A Discovery of Cinema.

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A Life in Movies. A million miles in a thousand years.

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The Technique of Film and Video Editing History, Theory, and Practice, 5th Edition

Auditioning and Acting for the Camera. Ava Gardner: A Life in Movies. Awake in the Dark. Concept Art Empire. Beauty and the Beast: Diary of a Film. Charles Koppelman. Brecht in Practice: Theatre. Cinema: A Critical Dictionary. Circles of Confusion. Concrete Wedding Cake. Confessions of a Cultist. Creativity, Inc. Currents in Japanese Cinema. David Lean: A Biography. David Mamet On Directing Film. David O. Deadline at Dawn. Deadline at Dawn: Film Criticism.

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